{"id":33111,"date":"2019-11-03T16:17:21","date_gmt":"2019-11-03T15:17:21","guid":{"rendered":"http:\/\/claudeyacoub.com\/?p=33111"},"modified":"2019-11-03T16:33:10","modified_gmt":"2019-11-03T15:33:10","slug":"scene-francaise","status":"publish","type":"post","link":"https:\/\/claudeyacoub.com\/index.php\/2019\/11\/03\/scene-francaise\/","title":{"rendered":"French Scene"},"content":{"rendered":"

Future, Former, Fugitive –\u00a0A French Scene<\/strong>
\nPalais de Tokyo, Paris
\n” The exhibition Future, Former, Fugitive, devoted to \u201ca French scene\u201d is based on an open conception of territorial placement \u2013 bringing together artists born in France and abroad, living in France or elsewhere, linked provisionally or lastingly to this country \u2013 in particular it escapes from the effects of a tabula rasa dictating that one generation eclipses another. On the contrary, it unites \u201ccontemporaries\u201d who today share this evolving space with its porous frontiers. Meanwhile, it seeks to sketch out the routes of transmission through which this mood of the times is conveyed and which is a breath of fresh air simultaneously for the forty-four artists or groups that have here been united. They are artists born between the 1930s and the 1990s, but who all live and work in and within their era. ”
\n(3 novembre 2019 – Cy)<\/p>\n

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Future, Former, Fugitive –\u00a0A French Scene Palais de Tokyo, Paris ” The exhibition Future, Former, Fugitive, devoted to \u201ca French scene\u201d is based on an… <\/p>\n","protected":false},"author":1,"featured_media":33113,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[57],"tags":[],"_links":{"self":[{"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/posts\/33111"}],"collection":[{"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/comments?post=33111"}],"version-history":[{"count":4,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/posts\/33111\/revisions"}],"predecessor-version":[{"id":33116,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/posts\/33111\/revisions\/33116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/media\/33113"}],"wp:attachment":[{"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/media?parent=33111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/categories?post=33111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/claudeyacoub.com\/index.php\/wp-json\/wp\/v2\/tags?post=33111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}